"Ar Waith Ar Daith" / The Good Earth
Along with hundreds of others, I went down to Cardiff Bay on
a cool, but mercifully rain-free Saturday night to witness “Ar Waith Ar Daith”, the huge open-air performance
piece marking the 10th anniversary of the Wales Millennium Centre. Produced by Walk The Plank, it was a celebration of
the creative spirit of Wales, taking in movement, music (by John Rea) and poetry
– even containing nods to sport and farming. Its centrepiece was opera singer Shan
Cothi, playing Ceridwen, the enchantress, being ferried around on a huge,
tree-like structure; and the massive cast included a choir of schoolchildren, a
team of rowers, dancers, acrobats, and fluorescent animal puppets. Good use was made of
the large spaces in front of the Centre, and the action was broadcast on big
screens – just as well, since the large columns which are a feature of the
Roald Dahl Plass inevitably obscured the view of proceedings at times. Various animations
were projected onto the building itself, including a depiction of the birth of
the bard Taliesin; and the 90-minute spectacular culminated in an impressive
fireworks display. I can’t claim to have been on top of the narrative at all
times, but the large crowd seemed engaged throughout, and its ambition could
not be faulted.
Earlier in the week I went to Chapter to review “The
Good Earth” – the first piece from Motherlode.
About a tiny South Wales community being pressured to relocate, for fear of a
mountain landslide, it was very well done, but I found it a tad manipulative –
only presenting one side of the issue, harm coming to children etc. Excellent
central performances, though.
Labels: british theatre guide, butetown, cardiff, cardiff bay, review, theatre, wales millennium centre