Another amusing month of
theatre-reviewing, starting with Kaite O’Reilly’s “And
Suddenly I Disappear” at Chapter,
a multimedia disquisition on attitudes towards disability, taking in both the
U.K and Singapore; a trip to Newport to see the touring revival of Mercury
Theatre Wales’ “35
Times”, taking on marital abuse; Matthew Bulgo’s “The
Awkward Years” at The Other
Room, featuring an excellent solo performance from Lauren O’Leary as a
young woman on the verge of self-destruction; the unfamiliar location of Jacobs
Antiques Market to catch Philip Ridley’s surprisingly conventional tale of
homophobic violence, “Vincent
River”; back to Chapter for “Dick
Johns – Let’s Talk About Death, Baby”, the sort-of sequel to his “What Mid-Life Crisis” show from 2016; and
most spectacularly, the Welsh National Opera’s re-staging of their first ever
show at the Wales Millennium Centre, Verdi’s
“La
Traviata” – a rare chance to see a popular classical opera in a period setting.
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"The Awkward Years" (photo: Kirsten McTernan) |
Added to this, I was one of the
signatories of an open letter to National Theatre Wales, questioning their work-rate
and artistic policies, which turned out to be somewhat newsworthy,
and may actually have some impact, hopefully positive.
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