"A Prayer For Wings" / Garbage
Last week, I paid a rare visit to Swansea, to see West
End/Broadway director Sean Mathias’ production of the play which kick-started
his career in the mid-1980s, “A PrayerFor Wings”, performed in his home town for the first time, at the Volcano
Theatre. The play itself was beautifully performed, and stood up very well, but
one was inevitably distracted by the presence of Sir Ian McKellen and Frances
Barber supporting their old friend in that intimate, rough-and-ready space;
Kevin Allen who played the male role in the original Edinburgh production was
also in attendance.
"A Prayer For Wings" production team (photo: Swansea Grand Theatre) |
Sunday night saw a long-awaited event – the visit of Garbage
to Cardiff, several years after a previous date was cancelled when the band
went on hiatus. In support, in the Great Hall at the Students’ Union, was
DuBlonde, featuring guitar heroine Beth Jeans Houghton leading a classic rock
trio with a stripped-down, sensitively punky set, mostly comprising new
material; and she even manned the merch stall during the interval.
The headliners were in imperious form, singer Shirley Manson
in chatty mood as she admitted being more at ease playing in a relatively intimate
space than during other recent shows. With the augmented classic line-up missing
only drummer and super-producer Butch Vig (rotator cuff injury), the set
focussed on the second album “Version 2.0”, the current tour marking
the 20th anniversary re-release; but newer songs such as “Blood For
Poppies” got an airing, as well as classic early singles “Vow”, “Only Happy
When It Rains” and “Stupid Girl”. One forgets how massive Garbage were in the
1990s, with the world ready for a female-oriented, electronica-inflected take
on grunge, and Manson is certainly an authoritative but somehow relatable frontwoman.
This was a propulsive, 80-minute set, and I felt the absence of some of their
more poignant songs (“Cup Of Coffee” excepted), but it was rounded off with an ironic
encore of “When I Grow Up”, delighting a crowd many of whom were not in the
first flush of youth.
The show provided a fittingly feverish end to a day of remarkable
televised sport (England’s men winning the Cricket World Cup; Djokovic beating Federer
in the longest ever Wimbledon final).
Labels: british theatre guide, cardiff, garbage., gig, music, swansea, theatre review
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